FIRESIDE CHAT NOV 3: Opendate + DoStuff: Generate New Fans and Revenue for Your Venues & Spaces

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Go beyond your ticket sales

Opendate vs Spektrix

Spektrix connects ticketing, patron CRM, marketing, and fundraising, and it includes email at no extra cost. What it doesn't carry is the programming that fills the calendar, or the deal behind each show. Buskirk-Chumley Theater runs all of it in one system and grew revenue 60% from Q2 to Q4.

The rooms and spaces using Opendate

Opendate and Spektrix, at a glance

Why choose Opendate?

Opendate runs programming, ticketing, marketing, and donations in one system, on one subscription.
  • The accepted offer builds the on-sale. Opendate sends the offer and the contract for you, and when it comes back signed the event is already configured: ticket types, prices, comps, kills, and announce dates come straight off the deal. Nobody retypes the show out of a booking tool or an email thread, so the box office checks an event instead of building one.
  • Programming is interconnected with ticketing. Avails, ranked holds that auto-promote, and the confirmed date live on the record that sells the seat. Spektrix is ticketing, CRM, marketing, and fundraising, and all four start once the event already exists.
  • Your checkout doesn't make patrons sign up. Opendate's checkout is embedded in your own site. No forced login, no account, and nobody is handed off to a second website to pay. On Spektrix, a buyer who isn't signed in is sent to a login page to sign in or create an account before they can check out, and every abandoned cart there is a ticket you didn't sell.
  • The night settles where the tickets sold. Splits, bonuses, and comps run against live door counts, and tickets-to-breakeven sits beside the offer before you confirm. Neither the artist's number nor the event's cost is part of Spektrix.
  • Rental invoices and artist contracts sit with the event. The paperwork for a rental night lives on the show the box office is selling. Spektrix points venue operations at its partner directory instead.
  • Email, SMS, and push from one login. Spektrix bundles Dotdigital email at no extra cost, which is a fair deal. What's missing is a text channel, so that half of an announce sequence runs somewhere else.
  • The seat maps are yours to change. Your team builds and reconfigures them without filing a request or waiting on a vendor.

Why choose Spektrix?

High-demand on-sales, included email, and a deep partner directory.
  • The on-sale rush is your hardest night. Built-in queuing and automated release waves are theirs. Opendate has per-card caps, max-per-fan limits, reCAPTCHA, and 2FA, which suit a room selling hundreds to a few thousand rather than a stadium.
  • Dotdigital email comes bundled at no extra cost, with premade workflows and more than forty reports behind it
  • You would rather extend the platform through a large partner directory than have one system cover more of it natively

Comparing Opendate and Spektrix side-by-side

FeatureOpendateSpektrix
Programming calendar and date holds✓ Multi-venue calendar. Ranked holds that auto-promote, multi-date✕ Inventory holds on an existing event, not holds on a date
Artist offers and advance✓ Templates with splits, bonuses, comps, kills. Advance and run of show✕ Not included
Accepted offer builds the on-sale✓ Ticket types, prices, comps, kills, and announce dates build themselves✕ No offer stage, so every event is set up by hand
Artist settlement✓ One click, off the offer plus live counts✕ Not included
Show P&L✓ Forecast, actuals, tickets-to-breakeven before doors✕ Not included
Rental invoices and contracts✓ Rental bookings, invoices, and artist contracts on the event you sell✕ Venue operations handled through the partner directory
Checkout without a patron account✓ Embedded in your own site. No login, no account, no second website✕ Buyers are sent to a login page to sign in or create an account
Built-in email marketing✓ Email from the login that sold the seat, with segments that build themselves✓ Dotdigital bundled at no extra cost, with premade workflows. Parity
SMS and push✓ Both in the same subscription as the ticketing✕ No text channel in the platform. Runs through a third party
Patron CRM with journeys✓ Attendance, genre affinity, lifetime spend, and giving on one record✓ One CRM across ticketing, marketing, and fundraising. Parity
Ticketing and reserved seating✓ GA and reserved. Fully customizable seat maps you edit yourself✓ Assigned, general admission, and timed entry. Reserved plans built for you
Season subscriptions and memberships✓ Flex packs, season subscriptions, memberships, payment plans✓ Subscriptions, memberships, offers, and incentives. Parity
Donor management and giving✓ Donations, funds, pledges, and planned giving, with outreach automations✓ Campaigns, funds, pledges, recurring giving, and stewardship. Parity
High-demand on-sales✓ Per-card caps, max per fan, reCAPTCHA, 2FA✓ Built-in queuing and automated release waves. Stronger

Some results from a few of our customers

15%

of additional profit on every ticket sold attributed to Opendate

25%

of ticket sales attributed to Opendate's marketing automation tools

$40k

of annual savings from eliminating multiple software subscriptions

The short version

The accepted offer builds the on-sale.

Opendate sends the offer and the contract, and the moment the artist accepts, the event is already configured. Ticket types, prices, comps, kills, and announce dates come straight off the deal, so nobody retypes the show out of a booking tool or an email thread, and the box office checks an event rather than building one. Spektrix starts once the event exists, so someone sets it up by hand first.

The advance and the run of show sit beside the patron record.

Advance templates go out from the show page, and guest lists, tech details, and day-of notes come back to it, so production, the box office, and the artist work from one version. Spektrix has no advance or run of show, so that coordination happens outside the system selling the ticket.

Settlement and the show P&L live where the tickets sold.

Splits, bonuses, and comps calculate against live door counts, off the offer you already agreed, and forecast against tickets-to-breakeven sits beside it before you confirm. Spektrix reports on sales in real depth, but the artist's number and the event's cost aren't part of it.

The seat maps are yours to change.

Your own team builds and reconfigures the room without filing a request. On Spektrix you can create simple unreserved plans yourself, and everything else is built for you on request. Seats can't be added to an existing plan without asking for a new one.

Opendate's booking calendar, with holds, confirms and on-sales filtered by venue and a confirmed show showing tickets sold and gross.An Opendate settlement showing the guarantee against 85% of net, tickets to breakeven, and forecast versus actual gross.An Opendate seating chart with available and selected seats, over a photo of a filled theater.

Buskirk-Chumley Theater

The Buskirk-Chumley Theater marquee lit at night

180+ events, 38,000+ tickets, 2026 pipeline up 82% year over year. Revenue grew every quarter, with Q4 60% above Q2.

“What initially drew me to Opendate was the single, integrated platform for our team to create offers, book, ticket, promote, settle, and report on finances within a single intuitive system.”
Steve Versaw, Executive Director, Buskirk-Chumley Theater
Read the customer story

Questions we get

Does Spektrix help you program the season?

Not the part before the event exists. Spektrix is four connected areas, ticketing, CRM, marketing, and fundraising, and all four start once there is an event to sell. A programming calendar, avails, ranked holds on a date, artist offers, and the advance aren't in it. On Opendate that work sits on the record that will sell the seat, weeks before the on-sale.

Spektrix has holds. Isn't that the same thing?

No, and the distinction matters. Theirs are inventory holds: seating plan overlays that take seats off sale, hold back allocations, or assign price bands on an event that already exists. A booking hold is a claim on a date before there is an event, ranked against competing holds and promoting automatically when a higher one drops. Opendate has both.

What happens when an artist accepts an offer?

The event builds itself. Opendate sends the offer and the contract for you, and the moment it comes back accepted, the on-sale is already configured: ticket types, prices, comps, kills, and announce dates come straight off the deal you agreed. Nobody retypes the show out of a booking tool or an email thread into the ticketing system, which is where the wrong on-sale time and the missing comp usually come from. For a box office it's the difference between building every event by hand and checking one that's already built.

How does marketing work on Spektrix?

Better than most, and worth saying so. Dotdigital email comes bundled at no extra cost, with premade workflows for pre-event and post-event sends, membership reminders, re-engagement, segmentation off live CRM data, and more than forty premade reports. That is a real advantage and we're not going to pretend otherwise. What's missing is SMS: there's no text channel in the platform, so that half of an announce sequence runs through a third party. Opendate carries email, SMS, and push in the same subscription as the ticketing.

Can we edit our own seating charts?

This is the difference worth checking before you buy either one. On Spektrix you can create simple unreserved seating plans yourself, and everything else is built for you on request through a seating plan form. Seats can't be added to an existing plan without requesting a new one, and seat labels, orientation, and maximum capacity are fixed once a plan exists. On Opendate the charts are yours: your team reconfigures the room the week you decide to, without filing a request.

Is Opendate a replacement for Spektrix's fundraising?

Close to it. Spektrix covers donation campaigns tied to funds, pledges and long-term commitments, recurring giving with tiered benefits, stewardship activity, and tracking of calls, emails, and meetings against the donor. Opendate carries donations, funds, pledges, planned giving, and donor records on the same patron record as attendance and ticket spend, with outreach automations that build their own segments. Compare them against your own giving program rather than against this page.

Will our patrons have to create an account to buy a ticket?

Not on Opendate. The checkout embeds in your own pages, so a buyer gets a ticket without a login, without an account they'll never use again, and without being handed off to a second website to pay. On Spektrix, a buyer who isn't signed in is sent to a login page to sign in or create an account before they can check out, and every abandoned cart there is a ticket you didn't sell.

What about high-demand on-sales?

Spektrix is stronger here. They have built-in queuing and automated release waves for the nights everyone refreshes at once. Opendate has per-card caps, max-per-fan limits, reCAPTCHA, and 2FA, which suit a room selling hundreds to a few thousand. If your hardest night is a season launch that melts the server, weigh that seriously.

What about venue rentals and room bookings?

Spektrix points venue operations at its partner directory rather than handling it in the platform, alongside categories like volunteer management and classes. That is a reasonable way to build a product, and it does mean another vendor, another login, and another invoice for the dark-night side of the building. On Opendate the rental booking, the invoice, and the artist contract sit on the same event the box office is selling.

What does it cost?

Spektrix is quoted per client: no upfront software costs, and nothing charged until you start selling tickets, with onboarding, support, and updates included. Ask for the full schedule including payment processing before you compare anything. Opendate's tiers are public: Opener free, Marquee from $4K a year, and Headliner free with ticketing. All-In Pricing shows the patron the total before checkout.

How long does switching take, and what about events already on sale?

Nothing on sale has to move. In-flight events sell through untouched, and the externally ticketed event type keeps the season's calendar and reporting whole through one overlapping on-sale cycle. Calendar import runs about a week, ticketing cuts over event by event, and your seat maps are yours to build and adjust as you go.

What if we don't program our own season?

Then a good deal of Opendate is overhead you won't use, and we'd rather say so. If the building is rented, the promoter brings the show, and your job is selling the seat and scanning it at the door, Spektrix covers that and covers it well. The case for Opendate starts when the dates, the offers, the advances, and the settlements become your problem.

Run the whole house

One system for programming, ticketing, marketing, and giving.